FIRST OF ALL
THERE IS FOG.
This is a blend –
like Bartok or Ravel
sometimes, but
not noisy like them. And then
there is blue –
billions of blue, but not like book
bindings, harsh,
but soft miraculous, the kind
that fades beside
the scream of tangerines. For sound
a cello string
not plucked or scraped, but thrust
taut into a soft
wind.
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